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Artist Profile

Bridge on lowa River

In “Bridge on Iowa River” Abdur Razzaque seized the opportunity of painting the serene sight of the Iowa River. This 1957, ink and watercolor painting on paper is an ode to his days at the State University of Iowa. On a continuously fading background, he painted the river of Iowa with bold and purposeful brush strokes. His subject stands out against the dissolving colors. This semi-realistic abstract painting creates harmony between imagination and reality and takes us into the memory lane of the artist.
Abdur Razzaque, a legend in the art history of Bangladesh, painted “Bridge On Iowa River” while doing his masters in printmaking at the State University of Iowa. This captures his time and journey there. With minimal color and tools, he devoured the time in a piece of paper.

Village

“Village” is a 1950 woodcut art by veteran artist Abdur Razzaque, a person, famous for his incomparable contribution to Bangladeshi art. He translates our village life in his wood-cut art piece with the utmost ease. His concisely composed village portrays the simplicity of our countrymen, the lives living there. He introduced the lush leafage, green pastures, quiet riverine, working shepherds, and balanced this ever-expansive world by bringing the dramatic movement of light and shadow. He captures our villages in their simplest yet most luxurious form.
Through his skillful hands and attention to detail, he brings out the eternal imagery of Bangladesh. He knits the story of commoners, celebrates the serene beauty, and reclaims his identity.

Artist Art Style

Abdur Razzaque preferred mixed medium more than the others. But his mastery was equally exhibited through watercolor, etching, engraving, oil painting, etc. Even though he started as a painter, he later focused on sculpting and was the first to turn to this medium after the War of Liberation. He used different elements like steel, wood, cement, stone, iron, bronze, etc. in the making of his sculptures. Abstract expressionism was his preferred method to communicate with the spectators of his creation. He always wanted to portray the truthful aspect of nature, only by painting them in greater form than the reality truly is, by using different vivid and vibrant colors to show exclusively the colors only but not the shapes in detail.

Gallery