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Artist Profile

Killing Field

In the liberation war of Bangladesh, when the Pakistani army was on the verge of losing, they implemented the most heinous crime of mass killing. By 11th December of 1971, they along with their acquaintances started abducting our intellectuals with the evil notion of paralyzing the nation’s growth. Teachers. doctors, engineers, poets, journalists, writers, musicians, and all the other bright minds were abducted in Dhaka. They were taken blindfolded to the slaughterhouse, and executed through torturing till death. Slaughterhouse or “Boddho Bhumi” is the death of Bangladesh. It is a place that reminds us of how the Pakistani Army had tried to systematically eliminate us and the possibility of independent Bangladesh. In the 2004 painting “Boddho Bhumi”, also known as “Killing Field”, Rafiqun Nabi painted the cruelty of the massacre. It is his tribute to the souls we have lost, the price we paid to be free.

Reclining Women

Reclining women, a 2006 mixed media painting by Rafiqun Nabi captures the complex emotion of being. Hiding behind the boldness of colors and showing us a sight that is very common, he asks us to seek for more. While he paints a woman lying on a lazy afternoon, he brings out the spiral of thoughts that keeps her awake. He takes us inside of the mind trapped in the world of her own, shows us her internal struggle, and leaves us in the chaos that we are oddly familiar with. Being a woman, being the second sex is a process that slowly takes away dreams, shatters it in the name of customs, traditions, and society. In Reeling Women, he portrays the continuous war between longing and devoirs.

Artist Art Style

His primary references include people or animals depicted against a natural setting. From printmaking to painting, watercolor to oil, or acrylic on canvas, in most of his forays, there appears a tendency to capture the rural landscape or the lives of the toiling masses. When his concern veered towards the urban landscape, the work took the city skyline or a Tokai (urchin) or two as its point of departure. Whatever the themes, Ra Nabi, the pen name he used to use as a cartoonist which got stuck to the collective psyche, is still able to churn out images of popular appeal.

Gallery