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Artist Profile

Childhood Memories

Tejosh Halder Josh’s “Childhood Memories” is a very personal work. It linked to his feelings about his own childhood. Executed in 2006, this fibreglass sculpture freezes a moment of childhood companionship for all to feel nostalgic about the time when everyone remains attached to myriad friends and family members. We grow up, grow apart and grow out of our innocence but the things that keep us going are the memories of the days that are already behind us. The work shows four children sitting in pairs, whiling away the time. One pair is seen making small talk while the boy in the other pair tries to attract the attention of the girl child, the smallest among them, as he points at something hovering over them. The dark hue makes the figures look as if they are made of cement. Tejosh Halder’s figures are expressive as the sculptor chooses to leave signs of the touch of the hand in many ways.

Talpatar Pathshala

“Talpatar Pathshala” is a 2007 sculpture by Tejosh Halder Josh. It is his tribute to the age-old tradition of what is known as “gurumukhi bidya”, or a Pandit-led mentorship model. Accordingly, children used to take on mile-long journeys to attend schools run by a well-known guru who would give them lessons sitting under a tree. The sculptor used fibreglass and painted each figure black while the talpatas, or the dried palm leaves, are also rendered in black. The presence of the teacher and the attentive students have all been given a cast-iron look, which only accentuates the nostalgic aura of the piece. The cluster sparks memories of childhood as it looks like a re-creation of the scene from a village pathshala, or school. Crafted with emotion, the ambience the artist has created remains with the viewer.  

Art Style

Tejosh Halder Josh specializes in modelling, mould-making, stone and wood carving, bronze, fiberglass and concrete casting. His expertise has a direct bearing on his practice. As a sculptor, Tejosh’s works are engaged with the notion of space, objects, architecture, heightening the sense of perception in the spectators. Conceptually he situates himself between representationalism and formalism. His works suggest that he takes his cue from real-life characters and objects only to transform them into his own sculptural forms bearing the touch of his hand. He casts a wide net as he tends to work across a spectrum of concepts, making representation of the real central to some of his works while he veers into abstraction with the rest. The architectonic style he has developed over the years with a sharp focus on modular forms is the result of his alignment with the globalised forms of aesthetic modernity.

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